Saturday, July 05, 2014

Serendipity Kitty



I wasn't trying to make a cat.  I was trying to design something quite different from a cat, in fact.  But it continued to look like a cat despite my best efforts, so I decided to give it  a new head and let it be a cat.

Serendipity Kitty

©2014 Martha Ess

2 shuttles wound CTM, with 3 beads in the middle

R:        (with 3 beads on thread around hand) 2 VLP 1 VLP 3 B 2 DPB 2 B 3 VLP 1 VLP 2 clr RW
Ch:      12 vsp 2 DNRW SS
R:        2 + (to vsp of prev Ch) 3 – 3 vsp 2 clr DNRW SS
Ch:      2 + (to vsp of prev R) 6 vsp 2 DNRW SS
R:        2 + (to vsp of prev Ch) 3 – 3 vsp 2 clr DNRW SS
Ch:      2 + (to vsp of prev R) 12 +LJ (to base of 1st R)
Ch:      2 DNRW SS
R:        8 vsp 8 clr DNRW SS
Ch:      15 DNRW SS
R:        10 vsp 6 vsp 4 clr DNRW SS
Ch:      6 – 4 – 4 vsp 1 RW SLT
Ch:      10 + (to vsp of prev Ch) RW SLT
Ch:      5 +LJ (to next p of Ch) 5 +LJ (to next p of Ch) 4 +LJ (to side vsp of prev R) 6 +LJ (to next vsp of R) DNRW SS
R:        10 clr DNRW SS
Ch:      12 +LJ (to vsp of next R) DNRW SS
R:        8 clr DNRW SS
Ch:      10. Cut and tie to base of head.

Wednesday, July 02, 2014

I Didn't Really Need This

I didn't really need this, since there are free downloads available from Georgia and the Antique Pattern Library.  But I could not resist the lure of owning my own copy of a Riego original from 1867.

The cover is printed with a bright shiny metallic gold, and not just printed, but embossed.  Its condition is a bit battered, with some of the threads used to bind it broken or untied, and some corners dog-eared.  I like to think that is because it was loved and well used.

And now it's mine  :)

Monday, June 30, 2014

Folded Rings

I've had a request for my folded rings tutorial, so I've added it to the Free Patterns Page on the blog here.  I didn't try to edit or update it, so I hope it's understandable.  Those were the first diagrams  I ever drew on the computer using Serif Draw.  (Which I still use, in a somewhat less primitive fashion.)

This reminds me that I am way behind on creating the new website so I can get all my old free patterns and techniques back up again.

Sunday, June 08, 2014

News Flash! Palmetto TatDays Registration Now Open



Here is a link to this year's TatDays page, with lots of information.  On that page, near the top are links to all the class projects, the schedule, and registration itself.  I hope to see you there.

Saturday, June 07, 2014

Back to the Challenge

You may recall that my current personal 25 Motif Challenge is to complete motifs from vintage patterns from prior to 1925, so here are some more.  When I made that quilt block for Georgia, I had some pieces left over. The top 3 are all from Priscilla Tatting Book No. 2.  (You can get a free download from Georgia, or the Antique Pattern Library.) 


The top one is from another of the elaborate collars in that book.  The next two are from a handbag.  The bottom one is a part of an edging in Buttericks Tatting and Netting (1896).  It was to have gotten a bit of a stem to make a nice flower.  It looks rather too unfinished in its current state though.  Maybe I shouldn't count it as one of my motifs yet.  (Free downloads of that book also available from Georgia and the Antique Pattern Library on the same pages linked above.)

All the thread ends are left loose, since I had planned to pull them to the back of the quilt block.  That's one of the nice things about tatting for applique projects.



Here is my current vintage WIP.  Can you recognize it yet?  I hope I have the fortitude to finish.  Working with size 100 thread periodically is good for the soul, if not the eyesight.

Meanwhile, registration for the Palmetto TatDays will open sometime soon.  They've been adding more pictures and more information every few days, so keep checking back.

Thursday, June 05, 2014

Copy Tatting & Over Reacting, another Soapbox Post

While I stand by the things I said before, I wish I had said more, or moderated my tone. In my mind there is a difference between those copytatters who knowingly mean to do ill, and those who do it unknowingly, and they should be treated differently.  People with the good intention of protecting copyrights can come down too hard on the latter group.

I have been told that other crafting communities perceive tatters as an insular bunch, hostile to newcomers, and overly obsessed with copyright issues.  We bring this on ourselves when we over react.  My inbox tonight included a message from someone who was giving up on tatting after being made fearful of condemnation from an accidental misstep.  Tatters are also a very caring, generous group, but we sometimes scare people off before they see that side of us.

There are those who knowingly, willfully copytat to take advantage of others' hard work without paying for it, and I have no tolerance for this.  On the other hand, those who act out of ignorance like I did in my younger days can be redirected onto a better path without the need for frightening them or hurting their feelings.

As a community, we need to uphold our standards of behavior by informing people as to what constitutes a problem and why, not threatening them for crossing a line they did not know existed.  Imagine the fledgling tatter proudly showing off a new accomplishment, and being pounced on by half a dozen people saying she could be liable to legal action.  Too much of this goes on, especially on Facebook.  Someone who has done a little copytatting without realizing it is a problem needs to be enlightened, not threatened.  If they have learned enough to be able to copy, they are on their way to becoming a proficient tatter, someone whose energies can be redirected into becoming a valued member of our community.  If they acted in ignorance or misunderstanding, but meant no harm, we can work with them instead of attacking them.

For the future strength of our craft, we need to be careful not to frighten people out of trying to develop their creativity.  It is OK for them to be inspired by something they have seen if they aren't trying to mimic it too closely, so don't tell them they can be sued for making something that resembles anything else.  Many basic designs have been re-invented again and again independently, so don't jump to a conclusion of plagiarism.  If you think someone's copyright has been violated by copytatting, it is best to notify the injured party and let them deal with it.  Failing that, state your concern tactfully, and listen to their response.  Try to discuss without attacking.  You can always toughen your response to a true offender if you find it justified.  It is harder to get someone to come back into the fold if they have fled after being rained down upon with condemnations.  Chastise the real wrong doers, but don't scare off potential new friends.

Monday, June 02, 2014

A Visit from another Tatter

Usually, I see other tatters only when I go to one of the tatting conferences.  It was a real treat to have a real live tatter come to visit recently. This is Marjorie and Graham, from Ireland.  They were visiting family close by and came to see me too.  Our mutual friend, Tatskool, helped arrange getting together.  



We had a lovely time talking about tatting and other things.  She has been working her way through Jon's "Elegant Tatting Gems" and showed me some of her very nice work.  

She surprised me with some gifts.  What at first appeared to be a card with the Claddagh design is actually a piece of Carrickmacross lace, very light and delicate.  She brought me a book about Ireland and a map printed on a tea towel.  I had never thought much about where in Ireland my friends lived.  Now I can find them on the map.


Tatskool sent some lovelies too.  There is a celtic style bracelet with tons of beads, and 3 skeins of HDT.  My camera couldn't do justice to the colors.  One of these is called Bali Sunset.  She hopes to feature it on her blog sometime soon.  She was one of the first people I ever got HDT from, and the new colors are as wonderful as ever.