Broomstick Lace Tatting

There's been some talk of broomstick lace tatting on Facebook lately, so I dug around and found this pattern to show how.

 

 

 

 

“Broomstick” Tatted Bookmark

© 2010  Martha Ess

 

 

 

This bookmark features large swirly picots, reminiscent of the look of broomstick lace.

 

Materials:  Thread, size 20 or perle 8 recommended, 1 shuttle.  Use a picot gauge ½” wide, held horizontally; or a gauge 1” wide, held vertically to make the long picots.

Pattern:  Wind 1 shuttle CTM with ball, do not cut.

 

Step 1:

R:        12 vsp 12 clr RW

Ch:      3--2--2--2--2--3 +LJ (to vsp of R) RW.  (These are all long picots, ½” high)

 

Repeat for desired length. 

Do not RW after last Ch.

 

Step 2:

Working down other side, make

Ch:      3--2--2--2--2--3 +LJ (to vsp of R).   (These are all long picots, ½” high)

 

Repeat back to beginning ending with +LJ to base of first R, then RW, SLT
 

Step 3:  Note:  Except for the first and last chain of 16 ds, do not over tighten the chains; let them lie flat rather than curved.

 

Ch:      16, RW SLT

Ch:      1 + (join to all 5 LPs) 2 + (join to same 5 LPs) 2 + (join to same 5 LPs)

*Ch:    6 + (join to next 5 LPs) 2 + (join to same 5 LPs) 2 + (join to same 5 LPs)

 

Repeat from * to end of first side

 

Ch:     1 RW SLT 16 +LJ (to LJ at end of Step 1) 16 RW SLT

Ch:      1 + (join to all 5 LPs) 2 + (join to same 5 LPs) 2 + (join to same 5 LPs)

**Ch:  6 + (join to next 5 LPs) 2 + (join to same 5 LPs) 2 + (join to same 5 LPs)

Repeat from ** to end of second side

 

Ch:      1 RW SLT 16.  Tie to base.  Work in ends or hide them in a tassel.

 

First Drafts

Most tatters would be aghast at producing something that looks like this.  For me as a designer, it is an excellent first draft. I've tried a few ways to make a curved set of rings, and two ways to make the feet.  I can take what I've learned here and use it to make the next draft, and repeat the process until I've got it right.

I hear some folks can make a drawing or a diagram of exactly what they want and tat it right up.  Not me though.  My drawing isn't so great, and I need to visualize things in the thread.  For me, being a designer means being willing to do a lot of tatting that will be thrown away.

Now then, as first drafts go, this is awful.  Truly, truly awful.

Weekend Outing

We decided we were ready for a little weekend outing, not too far away, to the New Bern and Beaufort, NC area.

The view from the deck at Front Street Grill in Beaufort.  Sunday brunch with a view is one of my favorite luxuries.

This is Fort Macon, (NC State Park) built in the 1800's  It's hard to tell from the picture, but the fort is built up inside a huge pit.  Easier to defend I think.  It's a very nice park with lots of historic displays.

Inside Fort Macon

In New Bern is Tryon Palace, rebuilt on the original foundations.  It was the first government official building and residence before the capitol was moved to Raleigh.  No photos allowed inside, sigh.  A very pleasant outing in all.

Tryon Palace, New Bern, NC

Tryon Palace gardens

Back home, I find myself surrounded by baby dragons.

Spinning Wheel Reconsidered

It seems I spoke too soon about larger versions of Mary Konior's Spinning Wheel pattern not working out.  Mad Tatter, Alberta has made a version with 6 rings on Row 1 and 12 rings on Row 2 that looks very nice.  See her picture here.  There are more "bare" chains on the outer edge than the original pattern, but it still works.  Perhaps some intrepid tatter could work progressively larger versions to see how big they can be and still look good.  Not me though, I'm too busy tatting dragons.

Life is Good

Here in North Carolina, dogwoods and azaleas are in bloom.  It's one of my favorite times of year.

The front yard flower garden continues to delight.  The creeping phlox in the middle didn't bloom much this year.  I wonder if it needs thinning or feeding.  The pansies are still happy and the Sweet Williams are starting nicely.

I know the pansies will die when the weather turns hot, but I wonder if the violas will survive.  I love them so much .

Last year, most of what I planted didn't come up, or died, or got eaten.  (Luckily I am blessed with the many perennials left by the previous owner.)  Here is one of my few survivors, last year a modest bit of greenery, this year a handsome flower.

Meanwhile, after weeks of effort, I think I have this pattern tweaked to my satisfaction.  Progress on the new  book, though slow, continues.

Spinning Spiral

Way back last summer, I had the notion to adapt Mary Konior's famous Spinning Wheel pattern, by making each repeat a little longer to produce a spiral shaped effect.

For my first attempt, after a quick review of the pattern, for some reason, I thought it would be necessary to work the spiral version starting at the long end.  I did a few calculations for the number of rings per row, and soon produced the item below.  Well, it laid flat, but had no other redeeming virtues.  I decided to try again working from the small end outward.

By the way, I had never worked this pattern before, but I soon appreciated its popularity.  The pattern is that  rare thing: easy enough to quickly memorize, but complex enough to be visually interesting.  In a word, elegant.

My second attempt (the first starting from the small end) was ruffling like mad after just a few repetitions.  I started over with fewer rings on the first row, but again, eventually it would ruffle out of control.  I'm not sure how many times I cut off rows or started over.  This went on for weeks.  What was once an elegantly simple pattern was now excruciatingly monotonous.  At some point, I returned to mathematical calculations.  It seems there is a geometric progression (is that the right term?) involved.  For extra ring, this doesn't just add to, but instead multiplies the number of rings in each successive row.  To make the spiral, I would have to leave more chains  not joined to in successive rows.  Finally, I came up with the final version, shown at the top.

In Mary Konior's book, she showed this pattern in just the two versions:  the small Spinning Wheel and the same design element as an edging around a linen center.  I used to wonder why she did not include a larger version all in tatting.  Now I know.  If there were more rings in the beginning row, then it would not lay flat, or more chains would have to be left bare, which would not have been as appealing.  I wonder how much trial and error she endured to arrive at the one perfect version.

Was it worth it, spending so much time and thread on this project?  Persevering with the attempt instead of abandoning it was good for my strength of character.  I arrived at an even greater appreciation of Mary Konior's greatness as a designer.  My finished project, not so much.  Sometimes, it's the journey not the destination that counts.

Goodies from Jon

Do you remember Jon's Lace Mat Challenge?  The link to Jon's diagram instruction for this Norma Benporath pattern is here. (Right-click on the image and you can print it big enough to see.)   Anyway, I was surprised and honored to win the contest. Here is my mat:

Jon graciously sent me a package of goodies for a prize. Just look:

Best of all is a copy of Jon's book, "Elegant Tatting Gems."  This is a very nice looking book, with 18 snowflake designs.  I think many of them could be joined together to make mats or doilies.  Each pattern has both text and diagram instructions, with a clear photograph.  I am looking forward to trying these patterns.  (You can order Jon's books from her directly through her blog, or from Handy Hands, Tatting Corner, or Roseground.)

Also included were a tiny motif in a glass frame, a calendar with quilling artwork, some thread winders, some little cords for attaching charms.  Some findings remind me of dangley earrings - I'll be adding some tatting and beads to those eventually.  A thread conditioner looks just like the beeswax my mother used to have.

Thank you for everything, Jon!