Off and on I have been studying a really old pattern book, Tatting or Frivolite
, by Mrs Mee and Miss Austin. It is not dated, but was published before (or during) 1862. A partial copy is available through the
Antique Pattern Library
Deciphering really old tatting patterns is a challenge, complicated here by the fact that part of the introduction is missing. Even worse, Mrs Mee used terms which later came to have different meanings.
Her “pearl tatting” was entirely different from the pearl tatting technique we know today, as introduced by Mlle Riego a few years later in 1867.
Here is an excerpt from Mrs Mee’s book:
“PEARL TATTING. This is formed of 2 stitches, 1 single and the next take the upper thread and pass it over the pin towards you, passing the shuttle through between the 2nd and 3rd fingers as in single Tatting; the two stitches are required to make 1 pearl, counted as one, as in double stitch.
A pin and ring is often used, but the chain is in the way, and I much prefer a common pin of a good size as shown in the engraving.”
Today, we would say, 2 second part half stitches with a picot in between. We are used to half stitches giving a twist to the work, as in Victorian sets or spiral chains, but with this technique, the half stitches lie flat, and the twist transferred to the picots, giving a bit of a swirling effect. Subtle, but lovely, yes?
Oddly enough, I get the best results making the picots (pearls) freehand. When I try to make them over a pin as shown in Mrs Mee’s engraving, they just don’t work. I think passing the thread around the pin pulls the next half stitch forward enough that the picot does not take on the full amount of twist. I will have to study further to decide if the problem is my technique, thread size, or whatever.
However, if you use this stitch with a wider picot gauge, something AMAZING happens, just look:
I am using this stitch in some pattern I am writing now. The only question is deciding what to call it. If I say pearl, that might be too easily confused with pearl tatting. I could call them “Mrs Mee picots” though that’s a little cumbersome. Hmmm.
This is a snowflake adapted from a Mrs Mee pattern that I will be teaching at the Palmetto TatDays
By the way, thank you to everyone who responded to my last post about tatting notation. It was reassuring that so many of you agreed with the version I was thinking of using. On the other hand, I realized too late that though this solves the quandary of how to write the lines with special picot, that might force me to rewrite the rest of the pattern in the same style. I’m still thinking about that problem. I seem to get further and further behind on this project.
Oh, and don’t worry, that book (if I ever finish it) will have lots and lots of diagrams.