Lost & Found & etc

During these scannerless months, I haven't been too happy with my photos of motifs.  But the camera is better for things that aren't flat, like this bracelet.  Yippee, I have found my long lost Palmetto class bracelet.  I had given it up for lost, but it turned up while I was looking for something else. Of course.  Someone had given me the teapot clasp the year before and I saved it until this perfect project came along. Isn't it sweet?

The pattern is the "Single Shuttle Beady Braid" by Erin Holloway, and it is actually much easier than it looks.  The pattern is available on the Palmetto Tat Days 2014 Pattern CD, and ordering information is Here.


DH has finally located the scanner installation disc, so I hope to be back to scanning soon.

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For those who didn't get the full story of what I was ranting about last time:  People scan pattern books and post them online, which is copyright infringement.  Then those same people, or someone else who has found their websites, pin the pages on Pinterest or share them on Facebook, etc.  Then other people who may not be thinking about copyright issues repin them and it goes on from there,  The author/designer may not even be aware this is going on.

You may see a pattern online with no designer's name or copyright notice, and assume it's not copyrighted.  But that's probably not true.  The author's name and copyright notice usually appear just at the beginning of the book, not on every page, but each page is still under legal copyright.  If you see a pattern (whether written out or diagrammed) that's nicely done, especially if it looks like a page from a book, there is a high likelihood that it is copyrighted.  Even a free pattern is under copyright, and the designer may have asked that it not be reposted elsewhere.

If you see a pattern posted on Pinterest, think twice before re-pinning it.  Click on it to see the source of the image.  If that does not take you to the designer's own site, or some other clearly recognizable reputable site, it could be a pirated pattern.  If you aren't positive that the pattern was posted by the designer him/herself, then don't re-pin to avoid the possibility of spreading the piracy problem.  Don't re-pin questionable images because that's the right thing to do.  Or do it from self-interest.  Pinterest says, "Pinterest enforces a repeat infringer policy that may result in the termination of users who acquire multiple strikes as a result of copyright complaints."  You wouldn't want to find yourself in that situation so be responsible about pinning patterns.

The exception is public domain patterns, whose copyright has expired.  There are complex rules that govern this, so again, if you aren't sure, it's safest not to do it.

Rant

I must officially be the grouchy old woman on Facebook right now complaining about piracy of patterns on Pinterest.  Pinterest said it would take the pins I reported within 24 hours and apparently the re-pins of those too, but a day and a half later over half of those are still there and I am finding more and more repins.  I was putting comments on as many of the offending pins as I could, but then Pinterest told me I was commenting too much and blocked me. Since it's past 4 am, maybe just as well.

Sometimes seeing my books pirated makes me want to give up on publishing patterns.  I don't know of that will happen, but I've been spending hours a day dealing with this piracy problem lately, which means the patterns I've been working on didn't get finished.  And my Palmetto teaching application is behind schedule.  And that disc that may solve my scanner driver problem, no time for that either.

There is a Russian gallery site that is the root source of much of my piracy problems.  Unfortunately, unlike Picasaweb, and Chomikuj, and several others I've dealt with, I can't find a link for reporting abuse.  Is there anyone fluent in both English and Russian willing to help?

Nothing to See Here

Yes, I've been quiet for a long time....

I have a reason for not posting for so long, or actually two reasons.  I've been without the use of a scanner for the last few months, and what's a blog post without a picture?  I can't seem to manage to successfully download the driver so the scanner will work with the laptop, and DH hasn't gotten around to fixing my ailing desktop computer yet. Or locating the setup disk that came with the scanner.  Oh, and the second reason is I was too lazy to post about it.

Yes, I could have used the camera instead, but I haven't been happy with the quality of my pictures of tatting.  Most of what I've been tatting lately is for future book(s), and I'm not posting any pictures of pattens for sale without watermarks.  That's just too much bother for pictures that aren't acceptable quality anyway.  And also, there's that business of getting out the camera, discovering the battery need charging, and trying to remember where I put the cables needed to attach it to  the aforementioned wretched laptop, since it doesn't have  a slot for the camera memory chip. Did I mention I was lazy?

I could have posted about the other pictures that were stored in the camera from our trips in the fall. Yet another airshow, anyone?

But now the new quandary: Jane's TIAS begins in just a few days.  For the few who don't know, that's a tat along project with just a bit of the instructions released at at time.  People send in their inprogress pictures and try to guess what the mystery motif will turn out to be.  It's so much fun to play along, I just may pull out the camera so I don't have to miss out this year.

Also in the news, the Palmetto TatDays Call for Teachers, and logo contest has been announced.  Get details HERE.  Please note the deadline is much earlier than usual.

The Antique Pattern Library met their year end funding goal and can continue in business as a non-profit organization.  Thank you to all the tatters who contributed.  I know many of you responded to Georgia's appeal for donations.  The APL is a wonderful source for vintage tatting patterns and all other sorts of needlework.

Two by Jane

Sometimes you just need a break.  On the job you know you can perform better if you take breaks instead of pushing on to the point of exhaustion.  It's the same with tatting, whether it's a huge project or some designing that's not working out.

So for a change of pace, I worked a few of Jane's patterns.  I admire her work so much.  The top one is her recent Hummingbird.  I experimented a little, trying to add a 3rd shuttle to make it in one pass.  I wish the variegated thread in the tail showed up more, so maybe I'll try again later using the colors in a different order.

The bottom one is the Inside Out Motif.  The proportions of this one appealed to me from the first time I saw it.  Funny how some patterns will just "speak to you."  Don't you love the way Jane uses the lock stitch chain in many of her patterns?  It's such a pretty effect.

What I've Been Up To

Someone asked me lately what I've been tatting lately.  Well, not too much to show.  I made a piece for the State Fair and forgot to take a picture of it.  Then there was some design work, not ready for public consumption.  Mostly the type where I tat the same thing over and over again, with the successive versions getting worse instead of better.  

But then I remembered I hadn't shown any Palmetto tatting yet.  

This is Vicki Clark's Teapot Suncatcher.  It was one of the class projects I admired the most. I couldn't take the class, but I got one of the kits and made it as soon as I got home.  The scanner didn't do justice to the big crystal bead in the center.

These are the projects from the open classes at night.  You can see Jane's Key to Success, and Sharren's Ringo the Dragonfly.  That one used lots of different techniques.  You can see one of my rings got a little wonky.

The one class I did get to take was Erin's Single Shuttle Beady Braid.  The pattern was unbelievably easy for such a flashy bit of tatting.  I made a bracelet I was very proud of.  I took it to work to show off, and then brought it home and put it in a very safe place, and oh dear... 

Curse You, Red Baron! Biplanes and Triplanes

DH is an aficionado of such things, but my knowledge of World War I aircraft is pretty much limited to the names Sopwith Camel and Fokker Triplane from the Snoopy and the Red Baron comics.

That didn't stop me from having a fine time at the recent "Biplanes and Triplanes WWI Airshow" at the Military Aviation Museum in Virginia Beach.  The museum hosts a large WWII airshow every May, and has a WWI show every two years.

The planes are interesting to see up close...

             ...and there are always some people in period dress.

The announcers always keep up an informative and entertaining commentary while the planes fly.

There were often 3 or 4 planes flying together for a great visual show.

As the planes landed, you could see that many of the pilots sported flowing silk scarves, just like this one:

The planes were all replicas, except for an actual Curtis Jenny built in 1918 and restored to flying condition.  This was one of the most famous planes built by the Glenn Curtis company.  That was one more name I recognized, because the Glenn Curtis Musem is located in Hammondsport, NY, and  DH went to visit the museum one year while I was at the Fingerlakes Tatting Convention.  Look what I did there, sneaking in tatting content :)

Palmetto Pics Part 2

Oops, I forgot to post more Palmetto picture earlier. Here are a few more.  I was going to show some of the projects I made, but I still haven't gotten them scanned.  Better some pictures now than waiting for whenever that gets done.

Here are Randy and Karen.

More friends just having fun. That's Crazy Mom and Jane in front.

A walk down to the lake for a little peaceful reflective time.